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April 17 at 8:15am

Filmmakers: Why 1% is the Most Important Number

By Scott McMahon

Screen shot 2014-04-14 at 10.13.43 PMFilmmakers, what comes to mind when you think of 1%?

The “Occupy Wall Street” movement perhaps?

1% Milk?

Hmm … maybe …

1% RULE OF THE INTERNET

(From Wikipedia, because it’s fact)

In Internet culture, the 1% rule is a rule of thumb pertaining to participation in an internet community, stating that only 1% of the users of a website actively create new content, while the other 99% of the participants only lurk. [...]


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April 15 at 8:15am

Diary of a Film Start-Up: Post #48: What You Must Know About Amazon CreateSpace

KNLOGOBy Roger Jackson

Previously: Quality Control or Why Films Fail

Filmmakers frequently upload their movies to Kinonation after they’ve submitted to Amazon’s CreateSpace service. This is a truly excellent service for book authors, musicians and filmmakers to self-publish their creative work and make it available on Amazon.com. And in the context of films, a good way to make DVDs available without upfront expense.

BUT: for getting a film onto Amazon there are many reasons to use a specialist VOD aggregator like Kinonation, instead of CreateSpace. I’m not saying that out of self interest. Yes, Kinonation (or any aggregator) takes a fee or percentage of gross revenue – in our case 20%. But it’s much more about video quality, speed, marketing and, above all, access to many more Amazon US and global platforms, including Amazon Prime. [...]


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April 9 at 8:15am

The Box Office Numbers for Favor

By Paul Osborne

TeaserPoster_WebSizedSmallThere’s been a recent battle-cry within the independent film community – lead by folks like Ted Hope and Jon Reiss – urging us filmmakers to publish the revenue generated by our movies, specifically in regard to new forms of distribution.  Unlike the weekly box office reports of studio films, the actual figures for indies, particularly those using newer release methods such as Video-On-Demand, are hard to come by.  Without them, and subsequently without any way of determining the success or failure of specific releases, it makes perfecting and improving new avenues of distribution quite difficult.   How do you know what’s working, and what’s not, if you don’t see the results? [...]


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April 1 at 1:30pm

Diary of a Film Start-Up: Post #47: Quality Control or Why Films Fail

KNLOGOBy Roger Jackson

Previously:  Why We’re Different

Quality Control

At Kinonation we’ve automated much of what has traditionally been manual. Films are uploaded to us instead of shipped on hard drives. Digital movie assets are stored in the cloud instead of locally at our office. Transcoding and metadata authoring is triggered automatically and happens in the cloud, replacing the existing process of “guy in a room for a day” — which is expensive and error-prone — with cloud computers that rarely make mistakes. But one very much human element we retain is QC — quality control. [...]


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March 18 at 8:15am

Diary of a Film Start-Up: Post #46: Why We’re Different

By Roger Jackson
KinoSmall

Previously: VOD Myths vs. Reality

We’re often asked what makes Kinonation different from other VOD distribution companies. While we are both a content and a distribution venture, we tend to regard ourselves as – above all – a technology company. And it’s technology innovation that allows us to do things a little differently. Here’s what we’re building for filmmakers – 9 points that define our business philosophy and operational goals. [...]


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March 6 at 8:15am

Diary of a Film Start-Up: Post # 45: VOD Myths vs. Reality

By Roger Jackson
KinoSmall

Previously: $45 Billion by 2018

At Kinonation we talk to dozens of filmmakers every week, and often discuss myths about Video-on-Demand. Here’s my top ten…

1. Myth: Every VOD outlet will accept my film.

Reality: Most outlets select or decline films at their discretion and rarely give reasons for a “NO” decision. In the USA, only Amazon and Google Play accept all films. (Amazon is limited to Amazon Instant Video. Amazon Prime will typically reject films that contain drug use, sex, nudity, violence, etc.)

2. Myth: Theatrical creative will work for VOD [...]


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February 18 at 1:30pm

Diary of a Film Start-Up: Post #44: $45 Billion by 2018

By Roger Jackson
KinoSmall

Previously: Hard Work, Innovation & Blind Alleys

$45 Billion VOD Market

This is an amazing — and inspiring — forecast. Research company Markets and Markets predicts global video-on-demand (VOD) revenue will grow from $21 billion last year to $45 billion in 2018. They define this as the combined revenues of all VOD outlets, worldwide — essentially digital (online) VOD plus cable & satellite VOD. Huge numbers, but actually not a particularly high compound annual growth rate (16%) to get to the $45b number in years. Figure roughly half of this revenue flows to content owners and half to the VOD outlets. [...]


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