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I am not sure cell phones have really helped because I used to be able to always be on set. When cell phones came along, the producer was always on the phone. Sure schedules used to be done by hand. Nothing was wireless. But what was it that helped make movies more efficiently or creatively? What were the big advances that I can recall? Did they all actually help? Did some hurt? [...]
I can’t always be optimistic. My apologies.
I did start this HopeForFilm / TrulyFreeFilm blog in the hopes that community action could improve things for us all. My original lists of 75 problems of indie film remain relevant, alas; and with this latest addition we are almost at 100 such challenges.
But don’t be bummed, every problem is an opportunity, right? To quote the great Walt Kelly of Pogo: “We are surrounded by unsurmountable opportunities.” We just need the will, the strength, the hope, and the power to change them. 12 Steps to progress?
I admit, even blessed by my last name, even I can’t be always be optimistic, at least not if I want to also speak the truth. Sometimes throwing a brick is an act of love; you know what I mean? And granted I’ve thrown a lot of bricks at this indie film thing. What can I say? There’s a great deal really wrong with our culture these days and a hell of a lot that can hurt our business. We have to work together if we want to build it better.
Let’s get started and call these “opportunities” out (in no particular order); maybe they are not so unsurmountable after all: [...]
by Blake Ashman-Kipervaser (producer)
As a film producer I find that each production I work on has its own unique set of challenges and the process can feel a bit like a roller coaster ride at times. Yet somehow things always seem to work out, and hopefully after its done you feel you’ve learned something or become stronger at what you do. With STARLET undergoing finishing work and getting ready to be released later this year I’ve thought back on some of the recent close calls and other experiences we survived during the making of the film and how fortuitous many of them seem to be in hindsight. Here are five examples which I hope will help other filmmakers in some shape or form.
1. The right place at the right time
While developing another project STARLET director Sean Baker,