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Truly Free Film

Who Did What For Me When: Introductions

None of us would ever get anywhere if our friends didn’t look out for us.  Our lives are not of our own making.

Milton Berle said “If opportunity does not knock, build a door.”  But the reality is you need some tools to be able to build; your bare hands won’t suffice.  Certain tasks too really are to big to tackle on your own. Someone sometimes has to hand you that hammer.  Fortunately, I have had some generous people in my life, who have helped me to connect the dots.

This is a time for giving thanks. Perspective comes with offering gratitude.  We need to be reminded of our good fortune.  We did not make it on our own.  Our lives are complicated habitrails, where others build our ramps, rooms, and wonderballs.

I have hesititated in my life fearing that if I displayed thanks, I would inevitably make a mistake and leave people out.  Like me, this is a work-in-progress.  I will make a mistake.  I will leave people out. But we have gratefully left that analogue world of completion and perfection, and here in the land of digital, everything is constantly evolving.  We are free to fuck up. So….

Thanks (in alphabetical order by the introducer’s first name):

Ann Goulder put me in touch with

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Truly Free Film

Producing Rules For Hard (aka All) Times

And Of Course, Don't Forget To Brush

I had the pleasure of participating on a producing panel at the Athena Film Festival back in the second week of February.  For once I got to be the token male.  It was an excellent group with Mary Jane Skalski, Nekisa Cooper, and Susan Cartsonis. The moderator was Lisa Cortes, and she was one of the best moderators I have ever had (festival programmers take note!).

I started tweeting out the advice that was said by all on the panel.  This was about both how to get your movie made and how to survive in these times.  They got tweeted and passed around by others but I have collected them here for you now too.  Sorry for the delay in posting!

1. Set the agenda

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Truly Free Film

The Triumphant Return of Good Machine

Yes, it is true.  Good Machine is back.  But in a new and improved form.  Perhaps we should have done a press release, but I thought I should do it here instead.  Press releases are so yesterday.

If you went to Sundance, perhaps you noticed the secret stealth return of our so-called 90’s powerhouse.  Or if you were at the Golden Globes, it must have caught your eye.  Hell, even if you just watched the Golden Globes.  If you missed all that, certainly by perusing the Oscar noms, something should have caused a bit of stir.  I’ve been waiting for some sharp newshound to break with the story, but nope.  So here’s the real buzz…

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Truly Free Film

The Good Machine No-Budget Commandments

Good Machine logo

Back in the day, back when indie film was a workable financial enterprise, back before I ran the San Francisco Film Society, back before there was a Double Hope, back before I was part of This is that, I had a production company called Good Machine. James Schamus and I founded it together, and we later partnered with David Linde. Mary Jane Skalski and Anthony Bregman were also partners, and we had the good fortune to work with a host of other talents including my later partners Anne Carey and Diana Victor, and Ross Katz, Glen Basner, Heta Paarte, Lamia Guelatti, Melinka Thompson-Gody, Jean Castelli, Kelly Miller, Dan Beers, Eric Papa, Jawal Nga, and many other later-legends to be.

As good as the films we made, as great as the individuals we got to collaborate with, we also had a genuine fondness for memos and how-to’s. Those were the days when you stored things in file cabinets.  The 90’s are in boxes now in my garage.  Once things went digital, it as if they are lost.  I stumble through less.  When they were paper I occasionally had the pleasure of sorting through the files, finding choice nuggets. My madeleines… like this.

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Truly Free Film

The Rise No-Budget NYC. Good Machine ’97

I don’t even know what this was for, This was for something on WNYC called “Egg” produced by Jeff Folmsbee.  but I do know that my friend Dan McGuire was also heavily involved in the shooting and editing of it.

I co-founded Good Machine back in 1990. We made a lot of good films and had some good times too. Iget a big kick out of seeing glimpses of folks from so long ago: Mary Jane Skalski, Heta Paarte, Glen Basner, and James Schamus and Ang Lee.  Nothing like seeing those gigantic computers and roladexes too. Too think we could make a film without an iPhone…

It also feels so fresh to me.  The same drive and ideas that made Good Machine a good idea back then, holds true to this day.  Everything is new again. We founded that company on the idea of a no-budget film fund (okay micro-budget in today’s vernacular) could make money and build a better mousetrap in the process. That, and the fact that I had a good long list of directors who needed some help. Both those things still hold true.

Although I must admit I no longer have a Che poster behind my desk, although the Obama “Hope” won works as the same sort of litmus test.

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Truly Free Film

Mary Jane Knows: We All Need Each Other

If you haven’t already, be sure to catch Mary Jane Skalski’s Sundance Producer Brunch Keynote.