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Okay, I am disappointed. Again. This is 2013. It’s not what I thought the future would look like. Don’t get me started, but I did think things would be better for us, and certainly in the Direct Distribution world. I thought we knew that we were all in this together. I thought we knew that if we shared information it would lift us all up higher. That is why I created this blog after all. But of course if knowledge and information changed behavior, no one would smoke, eat refined sugar, or have unprotected sex. But I digress… I went looking for all the Distribution Case Studies I could find, and have compiled them for you. [...]
On his Indiewire blog, Anthony Kaufman made the kind of observation I love: simple, right before us all, but ignored time and time again by the mainstream. His point is that all the corporate acquisitions of art film companies have only led to disaster, and maybe this extends to old school media companies too. The problem seems accentuated when it is an entity with new media dreams that acquires the traditional media company; what once worked with steady cash flow limps its way into non-existence.
Todd Sklar tipped me to the video of the panel I participated on at Sundance, and now you can decide: push or ponder?
I was on another fun panel yesterday at the Woodstock Film Festival. All of these discussions are part of the ongoing conversation on the future prospects for both Indie and Truly Free film. There’s a lot more that I can write about that panel, but one thing I felt was the filmmakers’ position getting stronger.
I am on the jury and will be be doing another panel up at the Woodstock Film Festival this weekend. I am completely impressed with the films in competition. They’ve done a great job curating. And they’ve done a great job programming too.
IS IT SAFE? With the closure of many of the studio specialty divisions and the reported financial troubles of many of the independents, has “indie film distribution” come to an end, or is this just the end of the world, as we know it? What does the “falling sky” really signify for the independent film sector? Were these companies right to turn their backs or were they just spending too much? Should you make films these days without some form of distribution? And most importantly, who, what or where is the great future hope for indies (and is it all online?)?
Join this esteemed panel of experts straight from the front lines of indie distribution and learn where the light is at the end of the tunnel.
I wonder what I am going to say? Hmmmm…. We need to move the dialogue beyond my “1000 Phoenix Rising” and certainly beyond “The Sky Is Falling”.