Looks like you are a new visitor to this site. Hello!
Welcome to Hope For Film! Come participate in the discussion, and I encourage you to enter your email address in the sidebar and subscribe. It's free! And easy! If you have any suggestions on how to improve this website or suggestions for topics please don't hesitate to write in to any of the blogs.
(If you keep getting this message, you probably have cookies turned off.)
Are independent and art-house film doing enough to draw young audiences away from the multiplex and the computer screen, or is the theatrical experience for a older demographic? On September 19th I was invited to participate in a “cage match” with Jeff Lipsky as part of Independent Filmmaker Conference’s panelist speaker event last month. We were able to agree on one thing: independent filmmakers need to draw a younger audience.
Liz Ogilvie, Crowdstarter
Ted Hope, This is that
Jeff Lipsky, Filmmaker, TWELVE THIRTY
Watch it here:
Sunday September 19th, as part of Independent Film Week, the IFP invited me to a “Cage Match” with Jeff Lipsky on Indie Film’s relationship with youth culture. The discussion was spurred on by a post of mine “Can Truly Free Film Appeal To Youth Culture “, and the robust discussion everyone had in our comments section to that post, and then still further by discussions on Filmmaker Mag Blog and Anthony Kaufman’s column. It was a good discussion before IFP even proposed the CageMatch, but I appreciated the opportunity to give it more thought.
You might have missed it but it’s been summed up pretty well by Robert McLellan on GlobalShift.org (thanks to Shari Candler for tipping me to that), Ingrid Koop on the FilmmakerMag Blog, and Eugene Hernandez at Indiewire (although I don’t agree, or believe I said, that Indie Film is aimed at white women over the age of 45 — although they are the dominant audience — but that we have to prevent Indie Film from being the province of the privileged, old, and white (i.e. me!)). Jeff and I could have blabbed for hours. I have plenty more to say on the issue.
As both a community and an industry, it is critical we look at both the creative, infrastructure, and societal factors for answers of why we have so failed to develop the alternative and youth sectors. Every other cultural form has a robust young adult sector that is defined both by it’s innovation and opposition — yet in film that is the exception and not the rule.
To me the issue comes down to the fact that unless Indie Film appeals to the under 30′s, Indie Film will continue to marginalize itself into the realm of elitist culture like Chamber Orchestras and Ballet. [...]
Cassavettes’ former distributor announced last week that he was going back to his old ways and taking other people’s films to the people. This week he (Jeff Lipsky) did a must read article to try to explain why. It’s in the pop form of a list and after each bullet point he goes into some detail to back up his assertion. Check it out. I post the list (w/o the explanation) below.
There is some food for thought in Jeff’s positions and I look forward to discussing it further. I have always believed in a collective sub-conscious; is there really a new? In reading, Jeff’s list it reminded me of several points from filmmaker Michael Barnard, who’s thoughts on the current state I am posting today and tomorrow. Stay tuned…
The whole article is on IndieWire and you should read it. Jeff’s bulletpoints are:
1) My number one job as a distributor-for-hire is to run a collection agency.
It was a busy week. Jeff Lipsky, distributor turned filmmaker, has returned to his distro roots and wants to work with you! I got an email from him and have been meaning to post but my To Do List is a bit unruly. I need an extra hand. Now I was beaten to the punch, but better late than never.
Jeff’s email states: [...]
Episode Six of The Christine & Ted Talk To Directors At Sundance ’09 Show, Jeff does just that. And he discusses “triangulation of trust” as a bonus: