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I have a lot to share with you. I also have a lot of hope for film — and I am not just talking about copies of my book for you to pick up. Anyway, you can hear it all directly from me as I will be on the road a lot over these next few months. Hopefully I will be coming to your town. If you happen to teach at a college, and I am coming through already, let me know, and maybe I can make an additional stop. If I am not passing through, and you’d like me to, let me know. Here’s a sampling of where I will be headed as well as the dates: [...]
Jon Kilick and I have a fair amount in common — but we also seem to see the state of the world, or at least our film culture and industry, in a very different way.
We both also recognize — and encourage others to recognize — some really important things about the film world, namely that this is a great time to be a creator. We have [...]
Part One: The Stuggles You Are Facing and How You Can Cope
By Jon Reiss
Since the collapse of the traditional distribution for filmmakers in 2007 we as a community have been struggling to figure out new solutions of how to monetize our work – in other words: how to make money from our content and create a sustainable living. In this two part series I will reformulate and address some of the problems we are facing – but also present some potential solutions for independent filmmakers. These thoughts come from a creating a series of new presentations on Artistic Entrepreneurship over the past year that I presented at the recent SFFS A2E Workshop (http://www.sffs.org/Filmmaker360/A2E-Artist-to-Entrepreneur.aspx) and this spring’s IFP Filmmaker Labs (http://www.ifp.org/programs/labs/). I welcome your comments!
While there were a number of factors that caused an upheaval of the distribution landscape in 2007 and while there have been many positive signs of improvement, filmmakers and all artists still face an enormously changed market for content.
I was forwarded this clip of me yesterday; I am quite confident is from before I was offered the job to become the Executive Director of the San Francisco Film Society. In it, I am clearly frustrated with the state of the film industry, where I felt I (and my contemporaries) were being rewarded for quantity over quality. No wonder I accepted the job when it was offered; I had already [...]